The Khaleesi, Mother of Dragons, from George R. R. Martin's A Song of Ice and Fire. (The 15 year old character inspired me with her courage to take on the role of a Queen of a foreign people. She learnt their lifestyle and customs and earned their respect in return. She is featured above in Qaarth, wearing the Quaartheen traditional dress with her three baby dragons. ) |
I was sitting in my grandparent’s sun room when I overhead
my Taita claim ‘She was 18! She was no longer a child'. Oblivious to the context, I grew suddenly
very self-aware. My grandmother was
married at 18, what have I done? She
said 18 year olds weren't children, and it shocked me. I'm so used to considering myself as a child.
Similarly, when
people ask me about my trip to the Middle East, I become self-conscious. I feel like my shoes are far too big for my
feet. As though I’m deceiving them as they
consider me brave or courageous.
I am not brave and
courageous. Not like Hana Shalabi who is starving herself in order to free the Palestinians from Israeli
imprisonment. Not like the ISM members
who, though strangers to the land, stand before the Palestinians and fight, in
order to protect them.
We can each talk
ourselves out of bed each morning.
Despite feeling ignorant or childish, we can conjure confidence. Often, when I whip out this confidence and
act courageously (say I dance at a party or tell someone how I feel) I do it
nervously, afraid that one may catch me out and realize that I’m in fact not as
confident as I act. But, as I have
talked myself into dancing at a party, I have also talked myself into going to
the Middle East.
Dancing in my
too-large shoes, I feel as though everyone can see right through my act. They think ‘what an ignorant child, going
there.’
I don’t speak Arabic.
I don’t even look Arabic. I don’t
have many contacts. I don’t have much
money. I tire from politics. Unfamiliar with much of the history. I was not ‘born to the beat of bombs in
Beirut’ (as poet Rafeef Ziadah would say).
The Palestinian people are passionate and courageous after years of
oppression.
I’m losing my courage, and with this I
must go over a vital question:
Why am I going to the Middle East?
I once read that if
you fear corruption you fear life.
Concerning politics and history in general, I’ve heard so many stories
which each contradict each other. My
revolutions teacher (god bless him) frequently called me passive. Fearing corruption, I avoid taking
sides. We’re stronger together, why
can't we all just cooperate? Was my general census.
When I have tried to
talk about the situation in Palestine, My heart has swollen up so that I cannot
connect my feelings with reason. In
other words, I cannot begin to articulate how I feel. When I speak of history or politics, it is
usually my brothers or my father’s voice I hear myself using. I am too unsure of how I feel to explain it
from the heart.
I need to see it for
myself. I need to smell it and hear it
and touch it and scream it with all the blood in my heart.
There’s more,
though. The mystic spirit of the East
runs in my veins. It is the lebneh in my
belly, the olive oil on my skin and equally the care in my heart. It is what has taught me love, and for that I
love it. Every last word of Arabic,
spoonful of rice, breath of shisha; I love.
Many people tell me that now is a bad time for tourists to travel to the
Middle East. It is a gesture of concern,
I think. I may be wrong, but despite all
the war and Israeli efforts to crush Palestinian culture, I imagine that it can
only ignite the strength of the people's passion and love, as Rafeef's spoken poem (above) suggests to me.
Mahmoud Darwish taught me that peace is the little quiet
inside you where you can find your power.
If I were to forget this, I may dwindle into my boots, for it is this
little quiet which strengthens me. Which I rely on to fill my shoes and walk me through my journey.